flowers, art, and death

this morning when the alarm rang it woke me up in the middle of a dream that i was robert motherwell’s studio assistant/biographer (last night before i fell asleep i had been reading about richard ellman, james joyce’s and oscar wilde’s biographer) and motherwell was finishing one of his monumental black and white paintings and it was all black except for at the very right edge where the black overlapped a block of white that had been painted to look like the edge of a sheet of deckled paper laid over a narrow section of black, and as that was revealed to me, i said, “that bastard.”

i assign no meaning to the above paragraph.

i am a compulsive obituaries reader. today, there was a lengthy paid obit about the life and times of a 94 year-old man. one paragraph, as they are, was devoted to his survivors and those who had predeceased him. those who had gone before were a sister and a son, ronald. then the list of survivors began, it included his second (loving) wife, children from both marriages and their spouses, grandchildren (11) and great-grandchildren (unnamed, but numbered, there were 18), [numerous] nieces, nephews (one named kieron, singled out for some reason), and the coup de grace: peter paul rubens (not his real name), the deceased’s son’s partner (italics mine).

i thought that was sweet, charming, progressive, and a sign, perhaps, that even in death, love is universal.


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© Robert Patrick, and Cultivar, 2008-2013. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts, photographs and links may be used, provided that full and clear credit is given to Robert Patrick and Cultivar with appropriate and specific direction to the original content.

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